Dystopia in Designer Dresses
- Naysa Seth

- May 10, 2024
- 2 min read
Updated: Sep 9, 2025
In a world where affluence parades on red carpets while conflicts rage around us, our reality often resembles fiction more than we care to admit. The Met Gala, a glamorous affair where the rich and famous don extravagant outfits, mirrors the Capitol in "The Hunger Games," where the elite revel in excess while the districts struggle to survive. The contrast between the lavish lifestyles of the privileged and the daily hardships endured by those less fortunate mirrors the divide between the Capitol and the districts in Collins' dystopian universe.
At the Met Gala 2024, tables of 10 started at $350,000 for a night of undeniable spectacle. Celebrities in outrageous couture gathered to celebrate fashion and art, raising $26 million for the Metropolitan Museum of Art's Costume Institute. However, the event's extravagance raises a critical question: is this the best use of resources in a world facing immense challenges?
There is a stark contrast between the frivolity of the Gala and the harsh realities faced by many around the globe. While celebrities flaunt their designer attire, thousands suffer the consequences of war and oppression, their struggles often overlooked amidst the glitz and glamour.

Men carrying grown women dressed in couture up the perfectly crafted red carpet of the Met stairs, is a scene juxtaposed against the backdrop of men carrying dead bodies of their children along the streets of conflict ridden countries. Celebrities arrive at the Met Gala in chauffeured limousines and private jets, enjoying the height of luxury transportation, while refugees in war-torn regions are forcibly displaced from their homes, often undertaking perilous journeys on foot or overcrowded boats in search of safety. The Met Gala venue is adorned with luxurious decorations and lavish displays, while buildings lie in ruins, infrastructure is destroyed, and cities are reduced to rubble. At the Met Gala, attendees flaunt elaborate designer gowns and accessories worth thousands or even millions of dollars, while in conflict zones, people struggle to obtain basic necessities like food, clean water, and shelter. In fact, a single night's outfit at a high-profile event like the Met Gala could feed and clothe an entire family in places ravaged by war.
Similarly, in the fictional world of the Hunger Games, the rich, draped in exquisite clothing bask in the limelight, whereas the suffering of the common people goes unnoticed and unacknowledged. The rich citizens of the Capitol, comfortable in their bubble of manufactured happiness, cheer for violence in the arena filled with the common people. Are we any different when we scroll past news of suffering without a second thought? This serves as a reminder that turning a blind eye to the suffering around us is a luxury that not everyone can afford.
When we look at this acceptance of excess and inequality in a book, we consider it dystopian and unrealistic, but what we don’t realise is that it is simply a mirror to our own society. As we precariously toe the fine line between glamour and guilt, we are presented with this question: if we consider this situation so cruel in a fictional novel, then why do we normalise it happening in our society everyday?


